Photographic images are embedded within the structure of glass.
Placed between the base form and the Persona layer, they become partially obscured and optically distorted. Instead of remaining legible, they shift and dissolve through the material.
The images originate from a specific landscape and carry a personal reference. Seen through the glass, they lose their direct readability and begin to function as fragments — closer to memory than representation.
The circular forms follow an organic logic, echoing fluid states rather than fixed geometry.
and-blown glass, wooden mould, free-form shaping , photography
Two pieces approx. Ø 20cm, H 27cm
2024